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Shooting a Good Moving Master Shot :
Intro
Trailer
Why You Must Shoot with a Moving Camera
Internally Generated Camera Moves
Moving Establishing Shots
Showing Off by Showing the Camera Movement
Analysis: Moving Establishing Shot of Tarantino's Pulp Fiction

Five Tasks of a Good Moving Master :
Task 1: Establish Geography
Task 1a: Put the Money On the Screen
Task 2: Focus on the Drama
Task 2a: Drama and Seamlessness Fight Each Other
Task 3: How to Generate Eye Candy
Task 4: How to Pick Up Coverage In Your Moving Master Shots Pt 1
Task 4a: How to Pick Up Coverage In Your Moving Master Shots Pt 2
Task 5: Eliminate Edits = Seamlessness

Mastering the Master Shot :
The Default Pattern of a Good Moving Master Shot
When the Default Pattern Works
How to Shoot a One'er
A Unique Master for a Unique Scene

How to Direct and Shoot Action :
The ABCs of Shooting Great Action Sequences
Lenses Made Easy
Forced Perspective Made Easy
Understanding Depth of Field and Field of Vision
Amp Up Your Static Shots Using Lenses
How to Pick the Best Lens for Each Moving Shot Pt 1
How to Pick the Best Lens for Each Moving Shot Pt 2

Storyboarding for Action Sequences :
Storyboarding Action -- the Key to Success
The Climactic Action Sequence of "Never Too Young to Die"
Shooting Action - Break Down Storyboards #1-4
Shooting Action - Break Down Storyboards #5-10
Shooting Action - Break Down Storyboards #11-18
Shooting Action - Break Down Storyboards #19-25
Shooting Action - Break Down Storyboards #26-32
Final Edited Sequence - Gene Simmons Ambushes John Stamos

How to Shoot a Chase Scene :
Great Action, Low cost - Point Break Foot Chase
Use the Wide Angle Lens to Shoot a Great Chase
How To Shoot a Great Chase Using Telephoto-Long Lense
Use Humor to Make Your Action Sequence Great

How to Breakthrough as a Director :
Final Thoughts of Directing
BONUS: What DO You Want to Learn Next?